With more than 4B global streams to date, 1B+ YouTube views, 14M+ TikTok followers, and an overall social reach of 30M+, Oliver Tree is an internationally-acclaimed, multi-platinum vocalist, producer, writer, director, and performance artist whose work explores the sonic intersection where pop and alternative meet and where art and entertainment visually collide. Undeniably a one-of-a-kind artist who continues to top the charts and sell out amphitheaters worldwide, Tree satisfies his dedicated and growing audience with Kaufman-esque Dadaist, “meta-humor” while continuing to explore and dissect the absurdity of modern culture, obsession with fame, and social media. His forthcoming third full-length album- ALONE IN A CROWD- arriving everywhere September 29 – reflects both the light and the darkness of human nature within popular culture, while holding a mirror up to us all and embracing the absurdity of it all. Exploring themes of loneliness, disconnect, and the human experience, ALONE IN A CROWD also introduces a new character named Cornelius Cummings, a fashion designer who sets the runway for his latest body of work. His debut album, UGLY IS BEAUTIFUL and sophomore album, COWBOY TEARS, have both earned RIAA gold certifications. With features on Jimmy Kimmel Live!, The Late Late Show With James Corden, The Late Show With Stephen Colbert, Rolling Stone, Billboard, VICE, Complex, NYLON, V Magazine, Alternative Press, Entertainment Weekly, UPROXX, and more, Tree has cemented himself as one of the most popular- and most provocative- artists of the Gen Z era.

Too much thinking can get in the way of good art. That’s the philosophy that indie singer/songwriter JAWNY has embraced. JAWNY has built his career by intuition, letting his music evolve naturally as he grows personally. Instead of chasing the high of past successes — including his 2019 Gold-certified hit, “Honeypie” — he’s following his gut and tapping into a new vision that reflects his growth over the years. Even as he embraces a “first thought, best thought” approach to making music, his songs have grown in scope and scale — elevating him from songwriter to indie-pop auteur with a kaleidoscopic vision and rich sense of narrative that informs everything he does.

With the release of the blistering “take it back,” JAWNY’s barreling full steam ahead with a dream collaborator by his side. The iconic alt-trickster Beck contributes guitar and vocals to the track, which resulted in a scrappy and thrashing sing-along that can bring a whole crowd into a frenzy. JAWNY joined Beck on a recent tour of the U.K. this summer. “I know that I’m in love with you,” JAWNY announces on the perky, piano-punching intro, which bleeds into “strawberry chainsaw,” a cheeky metaphor on love’s sweet-sinister dichotomy that’s delivered with a loose, lively swagger. With his recent release “adios,” he unleashes his falsetto as he realizes his relationship’s fate: “Now I feel like a blackout, New York City grid max out, when she said adios.”

Born Jacob Sullenger and raised in the Bay Area, JAWNY first picked up a guitar at age 6 after watching his dad jam to the Grateful Dead, Pink Floyd, and Led Zeppelin. At 13, he began making beats with his brother, eventually landing placements with several rappers on SoundCloud. “Since birth, I’ve never wanted to do anything else,” he says.

For a while, though, JAWNY got sidetracked. He first convinced himself he was going to be a nurse but dropped out of school almost immediately. Getting back on the music path, he signed up for audio engineering classes but again dropped out in two weeks. “I hated being told that there was a black-and-white way to do things,” he recalls.

That rebellious spirit has kept a fire in him that’s only intensified. At age 20, while paying his bills as a chicken shop cook in Philadelphia, he began recording songs with his own vocals, something he’d been hesitant to do previously but which came rather naturally. People started to notice.

By 2018, he earned buzz with a self-titled debut EP under the name Johnny Utah and landed on taste-making Spotify playlists like Ultimate Indie and Bedroom Pop. The next year, he dropped “Honeypie,” a track he wrote and recorded in little over an hour. The feel-good, funk-inflected song and its music video garnered instant acclaim. It’s since amassed more than 37 million views on YouTube and more than 738 million streams globally. The attention is well-deserved — across these early releases, he demonstrated a unique spark that shone through no matter what genre he was working with on a given day. Every song is punctuated with a strange magic — an unexpected turn of phrase or an unpredictable production flourish — that makes every song feel wonderfully untamed. Now, with an impressive 950 million career streams overall, he’s honed that energy while also developing a focused and brilliant perspective that resembles few other writers working.

In January 2020, less than a year after releasing “Honeypie,” JAWNY signed to Interscope Records and soon moved to Los Angeles. Later that year, he delivered For Abby, a conceptual mixtape built on prickly alt-pop laments featuring both “Honeypie” and “Sabotage,” singled that reached #46 and #33 respectively on Alternative Radio and briefly punctuated the Billboard Alternative Airplay charts in 2021. His follow-up EP, 2021’s The Story of Hugo, served as a gut-punching prequel to For Abby, showcasing JAWNY’s sharp storytelling and lending a peek into the sonic experimentations he’d soon bring to his upcoming music.

Each release has added new wrinkles to his already ornate sound — which helped him grow from a maker of pristine pop songs to a thoughtful songwriter with his eyes on intricate stories and life’s big questions. All the while, he’s never lost touch with the technicolor melodies that fans fell in love with in the first place, but as he’s prepared for his debut album, he’s learned to write with real empathy and depth — the mark of a songwriter who remains more wise and gifted than his years suggest.

But still, even as he proves himself capable of ambitious arrangements and this audience proves they’re able to keep up with him at every unpredictable turn, JAWNY remains steadfastly in the moment as he works on his new music. “I just chased whatever felt right in the studio that day,” he says. “I can’t overthink it.” The resulting songs are whimsical, wild rushes of adrenaline that trace all the twists and turns of life and love in its purest moments. Not only that, his new music captures how JAWNY feels right now, while, importantly, staying connected to every step of the journey that brought him here. “I’m just a giant child at heart,” he says “and I never wanna lose that. Otherwise, what’s the fucking point?”

One glance at the eye-catching manicure, wavy midnight-colored hair, and trend-setting style, and you know it’s Huddy. However, his music may be even more identifiable. Pumped up by crunchy punk distortion, head-nodding hooks, and the kind of lyrics you get tattooed, the Los Angeles singer, songwriter, and guitarist bulldozes a lane of his own at high speed.

Huddy officially introduced himself with the single “21st Century Vampire.” Fans sunk their fangs into this restless riff-loaded banger, racking up 40 million streams as Los Angeles Times christened him “a snarling singer-guitarist with his own radio-ready songs, following in the footsteps of his longtime idols.” He delivered again with “The Eulogy of You and Me” and the acoustic guitar-laden “America’s Sweetheart.” It seized #1 on YouTube, tallying 15 million views and 35 million-plus streams and counting. “Don’t Freak Out” [feat. iann dior, Tyson Ritter, & Travis Barker] illuminated a knack for stylistic shapeshifting with attitude intact. After racking up 100 million streams in less than a year and receiving acclaim from Vogue, Interview, i-D, PAPER, and Nylon, he asserts himself as just the pop punk idol we need on his 2021 full-length debut album, Teenage Heartbreak [Immersive/Sandlot/Geffen Records].

In his debut year, Huddy was nominated for in iHeart Radio Music Award, was named one of Billboard’s 21 under 21 and was included as one of Forbes Magazine’s Forbes 30 under 30 list.

In July 2022, Huddy released the pop-punk ballad “All the Things I Hate About You”, which took the internet by storm as an anthemic, evocative and emotional track that speaks to anyone who has ever been burned by someone close to them. The song went viral on

TikTok with 35M global streams, #1 TikTok Trending, 268K TikTok Video Creations, 1B TikTok Views, #1 Trending on YouTube, #1 Genius Chart, Spotify US Viral Chart, 50+ playlist adds in under a week, including New Music Friday, Pop Rising, Big on the Internet, Teen Beats, Pop Sauce (playlist cover), Singled Out (playlist cover), POV (playlist cover). When impacting radio, Top 10 most added POP two weeks in a row, TOP 10 most added ALT two weeks in a row.

Huddy wrapped up his album cycle with a string of high-profile performances, making his festival debut at When We Were Young in Las Vegas, before playing Jingle Ball and Poptopia in 2022. He then joined Oliver Tree on a 40-city sold-out U.S tour, performing in 5,000 capacity venues.

Most recently, Huddy took the stage at Lollapalooza 2024, supported Mod Sun & Lovelytheband on their North American tour, and joined Palaye Royale on their European run – where he also collaborated with them on his latest single, “Cyanide.” Now, as he gears up for a bold new project in 2025, Huddy is pushing musical boundaries, exploring new sounds, and tackling edgier themes.