$65.00 – General Admission
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The ongoing saga of singer 2D, bassist Murdoc Niccals, guitarist Noodle and drummer Russel Hobbs continues with HUMANZ – the latest album from the planet’s Most Successful Virtual Act*, Gorillaz.
Since their first release in 2001, Gorillaz have proven to be one of the most unique and iconic pop acts around. A truly global phenomenon, they have achieved success in ways entirely ground-breaking in popular music. Their eponymous debut album sold some 6 million copies following its release in 2001, with hit singles ‘Clint Eastwood’ and ’19- 2000’. 2005’s Demon Days was more successful still, properly breaking the band on a global level, with singles ‘DARE (feat Shaun Ryder), ‘Dirty Harry’ and the Grammy Award-winning smash ‘Feel Good Inc.’ becoming hits across Europe, America and beyond. It gave Gorillaz their first UK No 1 song with ‘DARE’ and was heralded as one of the year’s greatest records. Plastic Beach saw the band up their game once more, with hit chart success around the world (including the US and UK) and contributions from a stellar rollcall of talent including Kano, Mark E Smith, Lou Reed, Bashy and more. Accordingly, their live performances went from strength to strength, consistently breaking new ground in both scale and ambition. And the band have since toured the globe from Birmingham to Beiruit, picking up hundreds of millions of record streams along the way.
On screen, Gorillaz have proven no less innovative. Their videos, probably the most complete manifestation of the Gorillaz character identity, have been viewed continually on heavy rotation and picked up numerous awards including the coveted Jim Henson Creativity Honor. The band opened the 2006 BRITs with a 100-piece children’s choir and dueted with a holographic Madonna at the Grammy Awards the same year, while bass- wielding nasty-face Murdoc found time to record an ‘Alternative Christmas Speech’ in 2005, broadcast while HRH Queen Elizabeth was addressing the nation. By the end of
2007, Gorillaz were that rare beast – culturally significant, critically admired and commercially successful – appealing to the broadest of demographics.
In 2010, Gorillaz returned with Plastic Beach. A 16-track tour through pop, rap, dub, soul, and electronica, from East to West and a whole lot more, it featured a roster of contributors so diverse it numbers not just Lou Reed, Snoop Dogg, Mark E Smith, De La Soul, Mos Def and Bobby Womack, but The Syrian National Orchestra Of Arabic Music and Hypnotic Brass Ensemble, a Chicago-based nine-piece jazz/hip-hop group. Also appearing were Mick Jones and Paul Simonon, playing together for the first time since The Clash. The subsequent ‘Escape To Plastic Beach’ tour also produced The Fall, a 15- track album of songs recorded in hotel rooms across America and gifted to fans on Christmas Day, ahead of release in April 2011.
Now comes HUMANZ, Gorillaz’ first album in 7 years, and their most immediate, rich, and panoramic record to date – cycling through hip hop and R’n’B, pop and reggaeton, soul and rock and roll. On HUMANZ Murdoc, Noodle, Russel and 2D are – as always – joined by an impressive line-up of featured artists including Jehnny Beth (Savages), Danny Brown, Benjamin Clementine, De La Soul, Peven Everett, Anthony Hamilton, Grace Jones, Zebra Katz, Kelela, Mavis Staples, Vince Staples, Popcaan, Pusha T, Jamie Principle and Kali Uchis – and sees Gorillaz pushing boundaries once again.
*Source: Guinness Book Of Records
Recording artist Vince Staples has come a long way from his trying upbringing in Long Beach, California’s Ramona Park neighborhood. Releasing his critically acclaimed debut Summertime ’06 album in 2015, the then twenty-year-old saw his life turned right side up, going from being nearly trapped to having what appeared to be complete freedom.
Yet, as his most recent projects suggest, appearances can be deceiving. The LPs delves into the confusion of sudden fame and acclimating to a lifestyle antithetical to the one he’d known in Long Beach – one wrought with gang violence and poverty. It’s a fundamental narrative in hip hop, but rappers have always found a new way to breathe life into it. Staples brings forth a vision that’s brutal, elegant, playful, and despondent in one breath.
Such is the nature of his music, as self and socially aware as it is comical. With FM!, Big Fish Theory, Prima Donna and Summertime ’06 behind him, Staples has set the tone for what’s yet to come. A standout rapper in today’s hip hop world, he keeps his sound deeply tied to his west coast roots and his message one that knows no boundaries.
In a world of full of painful departures, his art gives listeners reason to believe that, somehow, as he advances, the people who have left him and the people who he’s left behind will still be waiting for him at the end.