LIVE 105 presents
Deadbeat Tour
This event is all ages.
All doors & show times subject to change.
Kevin Parker has emerged as one of the most influential voices of the last decade. A singular artist renowned for carving out a distinct sound all of his own, Parker crafts transcendent genre-bending sonic landscapes, playing every instrument and acting as writer, producer, mixer and engineer on his projects. He has been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13ARIA Awards and 27 Nominations. He’s won the BRIT Award forBest International Band and scored nominations for two Billboard Music Awards and an American Music Award.
Tame Impala has had numerous US Alternative Radio Top 10 songs including two #1’s for “Lost In Yesterday” and “Is It True.”Tame Impala’s “The Less I Know The Better” is part of theBillionaires Club with over 2 billion streams and the project has racked up numerous gold and platinum certifications globally.Tame Impala has headlined festivals and arenas around the world and released four full-length albums-InnerSpeaker, Lonerism, Currents and his most recent album The Slow Rush. The Slow Rush landed at #1 in multiple territories and was his highest charting album to date in both the US and UK, with 14top 10 chart positions around the world. As a writer and producer Parker has collaborated with Dua Lipa, The Weeknd, SZA, Lady Gaga, Travis Scott, Mark Ronson, Gorillaz, Thundercat, Kali Uchis, 070Shake, Rhianna, Miguel, A$AP Rocky and many more.
fcukers’ explosive ascendance began downtown in New York City. In a fast-track three years spent amassing millions of streams, playing Glastonbury, Primavera, Lollapalooza, Coachella and in arenas supporting LCD Soundsystem and Tame Impala, they earned BBC Radio 1’s ‘Future Artist of the Month’, and spots on both Spotify and Amazon’s “Artists to Watch” lists. Audiences worldwide crave the party fugue state that the band’s riotous live shows design. Now, fcukers is releasing their debut album ‘Ö.’
The genre-bending album collages Dub, UK Garage, Trip Hop and 2000s Hip Hop with more modern sounds spontaneously merged in unique and measured ways. Minimal arrangements keep the tracks focused and to the point paired with the band’s staple mantra-like lyrics. ‘ö’ plays like a DJ set, taking the listener on a wild metaphorical night out.
While on the West Coast, in the week between Coachella sets, the band got coffee with Producer Kenneth Blume (FKA Kenny Beats). At his studio, they played a track they’d been contemplating for the album, Feel the Real. Unprompted, Blume suggested Wise and Lewis get in the room and just play. Within an hour, they had something, and ‘Ö’’s first single L.U.C.K.Y. came out of the session. Blume cleared his week. When fcukers returned to his studio Monday morning, Play Me was the first track laid down and cut within an hour. In two whirlwind weeks, with Blume bringing in heavy hitters like Dylan Brady (100 Gecs) and Tom Norris (Lady Gaga, Charli XCX, The Weeknd) to produce and mix, ‘Ö’ was essentially complete.
In late 2022, Shanny Wise met LA-born Jackson Walker Lewis in her native Lower East Side of Manhattan. A mutual friend introduced the two, both formerly in Indie Rock bands, foreseeing collaborative potential. Lewis was DJ’ing most nights downtown, playing the House music he listened to regularly, Armand Van Helden, DJ Sneak, Todd Terry and others of the era, while Wise was writing, experimenting with electronic music herself. They began meeting regularly, weekly at first, without urgency or expectation, making beats and playing around with different genres; a disco track, a techno loop, ideating and iterating, until it hit.
The band’s first released track Mothers, recorded in Lewis’s apartment, inspired them to play their first show at Baby’s All Right, delivering what Paper Magazine called, “an electric live performance, pumping up the whole room.” The band seemingly sprung out, fully formed, and have never wavered in identity. Lewis pounded the keyboard. A close friend danced topless at the back of the stage. The tightly packed crowd never stopped jumping as Wise’s hypnotic vocals transcended against the commanding beat and booming drums. The response was palpable, galvanic, and set fcukers’ fate in motion.