Skip to content
x
Another Planet- Logo

Subscribe to our weekly newsletter for the latest updates
from your friends at Another Planet Entertainment

We would love to hear from you! Please write us with any questions or suggestions.
contact@anotherplanetent.com

Another Planet- Logo
  • Facebook
  • Twitter
  • Instagram
  • Spotify
  • Home
  • COVID-19 Policy
  • Calendar
  • Just Announced
  • Venues
    • Greek Theatre
    • Bill Graham Civic
    • Fox Theater
    • Tahoe Harveys
    • Oxbow RiverStage
    • The Castro
    • The Independent
  • Festivals
    • Outside Lands
    • Life Is Beautiful
  • Artist Management
  • Comedy
  • About
  • Careers
  • Contact
  • ADA Accessibility
  • Home
  • Events
    • Postponed
  • Venues
    • Greek Theatre
    • Bill Graham Civic
    • Fox Theater
    • Tahoe Harveys
    • Oxbow Napa
    • Castro Theatre
    • The Independent
  • Festivals
    • Outside Lands
    • Life Is Beautiful
    • Breakaway Bay Area
  • MGMT
  • About
    • Concerts
    • Gallery
    • Careers
    • Contact
  • COVID-19

Another Planet Entertainment

Live music in the Bay Area and beyond

  • Venues
    • Greek Theatre
    • Bill Graham Civic
    • Fox Theater
    • Tahoe Harveys
    • Oxbow Napa
    • The Castro
    • The Independent
  • Festivals
  • Comedy
×

ADA Accessibility

We believe that music is a universal language that unites all of us and brings people from all walks of life together. We thrive on making people happy from the time we open our doors to the last note of the concert.

We believe whatever your religion, race, culture, education, gender, ability or disability, that everyone should be able to enjoy music as equally as is reasonably possible and plausible.

We strongly believe that if we do everything we can to treat everyone as we ourselves would wish to be treated, we can succeed in our efforts to “turn everyone on” to the magic of the live music experience. That said, everyone’s case is individual and each venue and show has its own unique challenge. We encourage you to reach out to us directly to purchase tickets and make requests for special accommodations or needs for any event at any venue we present. We will do our very best to accommodate you with an ease of service that will exceed all expectations.

Accessible tickets are available for all events that Another Planet Entertainment presents. To purchase accessible tickets, click on the “Request Accessible Tickets” icon on the respective Ticketmaster event page.

We are committed to full website accessibility for all of our fans, including those with disabilities. We strive to maintain WCAG 2.1 Level AA compliance, and to increase the accessibility of our digital content for all. If you are having difficulty accessing this website, please call us at 1-510-548-3010 or email us at contact@anotherplanetent.com so that we can provide you with the services you require through alternative means.

For additional information on our events, assistance purchasing accessible tickets, or for further accessible accommodation requests, please reach out to us directly:

1-510-548-3010 contact@anotherplanetent.com
AT THEIR VERY BEST - NORTH AMERICA 2022

THE 1975

Bill Graham Civic Auditorium
San Francisco, CA
Tuesday, November 29, 2022
Doors: 6:00pm | Show: 7:00pm
Buy Tickets
The 1975

Another Planet Entertainment is committed to producing safe events. Please review our most up-to-date COVID-19 policy requirements for entry on our Health & Safety page.

* Policy is subject to change

This event is all ages.

$69.50 – General Admission

*plus applicable service fees

Presale begins Thursday, August 11th at 10am.
(password = spinning)

The general on sale begins Friday, August 12th at 10am!

All doors & show times subject to change.

Add this event to your calendar:

The 1975

After four studio albums, there’s not much territory The 1975 hasn’t covered at this point. Throughout their tenure as a band, the English rockers have flirted with glossy pop, anarchist punk, gritty garage rock, electro-funk and country. They’ve used their incisive songwriting to ask existential questions surrounding self-discovery, nihilism, climate change, mental health, addiction, post-modernism and cybersex. So what’s a band to do when they’ve seemingly done it all? After 20 years together, The 1975 decided it was time for a return to form—a way to celebrate their beginnings and showcase their growth. The result is their fifth effort Being Funny in a Foreign Language—perhaps the band’s most intimate sounding record yet.

After two years in a pandemic where technology was a means to cope with isolation, the world—and the band themselves—seemed to be searching for raw moments. Being Funny tries to do just that, grappling with love and loss in the post-internet age. “I feel like people are craving things that are remarkable that require as little technology as possible,” says bandleader Matty Healy.

While The 1975’s past few records were brimming with massive production—programming and synths— Being Funny is rooted in performance. “We wanted it to capture the performance of all of us, allowing people to be a witness to a moment as opposed to a witness to some constructs.” As a result, it’s much of a departure from the maximalism of their last record Notes on a Conditional Form. “This album, more so than Notes, is a follow-up to A Brief Inquiry. There were conversations about whether it was literally a part two or something like that, but it was very much his own beast by the end.”

Being Funny is somewhat of a rite of passage for The 1975. Healy, four years clean from heroin, left his identity crisis of his 20s behind and felt completely settled into his career as a writer; while lead guitarist Adam Hann had his first child. The band has grown up, and in a lot of ways, settled down. “We’re men now, we’re fucking good.” And notably, Being Funny was the first time The 1975 made a record without strife or addiction getting in the way. With maturity came clarity, and it allowed the group to be more present than ever. “It was the first record where I was like, ‘Fuck it. I’m just going to be here now,’ which is why it turned into sounding more coherent than previous records.” With Being Funny, the band realized their albums didn’t need to broach every topic at once, instead, they could equally be as affecting as contextualized snapshots of a certain period in time. At this juncture, Healy found himself contemplating whether the concept of true love is possible in a world where we’ve been sold this idea of sentimentality. “Are these earnest things like love and connection and community and wanting possible—and are they obtainable against this neoliberal hellscape that we live in?”

Recorded between England’s Real World Studios and New York’s famed Electric Lady Studios, Being Funny was the first time The 1975 had sat in a room and played as a band. And this time around, they set some ground rules: They wanted everything to sound as organic as possible, opting for more strings and fewer synths. “We started taking songs that existed or just were a bit confused in their identity and doing an impression of The 1975. But this time, it was live.” They also decided to enlist an outside producer: Jack Antonoff. “I would have never thought that another producer would have come in, especially not a producer that was ‘hot and happening.’ All the people that I’ve worked with, I’ve worked with my whole life.” But their mutual admiration for one another helped propel the project forward. “Jack is just really good at getting the best out of artists, so I really liked working with him.”

But the band didn’t change everything, exactly. Like its past four records, Being Funny begins with the band’s familiar—but always differentiated—”The 1975” intro. Flanked by two twinkling pianos playing out of time, the reconfigured opener serves as a stream of consciousness that bursts into a tense, beautiful drone.

Despite it bursting with buoyant horns and jazzy percussion “Happiness” showcases Healy’s uncertainty about love in an unstructured jam session that allowed the band to strip the irony out of their music. That idea shifts on “Oh Caroline,” a deceivingly dark melodic pop anthem about all-consuming love, also came together non-traditionally, with an assist from a cohort of creatives informally coming and going from the studio. Full of vibrant. lush strings, the cinematic folk-rock “Part of the Band” is layered with jokes and tenderness, channeling the band’s penchant for pop playfulness. It also comes with a side of self-deprecation: “Am I just some post-coke, average, skinny bloke calling his ego imagination?” Healy asks. With “I’m in Love With You,” the euphoric, narrative peak of the record, Healy earnestly explores whether true love is possible over glistening guitar riffs. “Wintering,” a Christmas song that was originally meant for a Drive Like I Do record, recalls the soundscape of The 1975’s self-titled debut studio album. “It’s a series of Polaroids and captured moments that’s just about your family—the dynamics, the quirks and the beauty of it.”

While the album is largely Healy looking inward, Being Funny tackles more universal topics as well. On the ’80s synth-pop “Looking for Somebody (To Love),” Healy addresses how the world is facing a crisis of masculinity. “I wanna show him he’s a bitch!/I wanna fuck him up good!/I wanna smash the competition – go and kill it like a man should!!!” he sings with a sarcastic lilt.

Healy also delves into vulnerable territory with the rootsy, stripped-back “All I Need to Hear”—is a relatable plea for someone to care about them— and on the reflective “Human Too,” where he yearns for empathy. A shoegazey heartbreaker full of warm reverb and delicately plucked strings, “About You” evokes the dreamy nostalgia of Taylor Swift’s “Mirrorball” and Sharon Van Etten’s “Seventeen.” “I know a place/It’s somewhere I go when I need to remember your face,” Healy sings with a wistful lilt. By the album’s bittersweet country-tinged closer “When We Are Together,” Healy once again finds himself uncertain about his belief in love and lamenting the fallout of a relationship. “I’m better at writing’ was just a way to get you biting, oh the truth is that our egos are absurd,” he muses.

Like all of The 1975’s work, Being Funny sees Healy striving to improve and trying to figure out how to tangibly do so. And it all comes back to the album’s title. “When I’ve seen people being funny in a foreign language, it’s the height of intelligence, and, therefore, the height of empathy. I think that if everybody was able to be funny in a foreign language, it would probably save the world.”

 

Upcoming Events

  • Brijean Thu Aug 11
    The Independent
    San Francisco, CA
  • Trombone Shorty &
    Orleans Avenue Fri Aug 12
    Oxbow RiverStage
    Napa, CA
  • Rebelution Fri Aug 12
    Greek Theatre
    Berkeley, CA
  • Aeon Station Fri Aug 12
    The Independent
    San Francisco, CA
  • Poolside Fri Aug 12
    1015 Folsom
    San Francisco, CA
  • Poolside Sat Aug 13
    Charles Krug Winery
    St. Helena, CA
  • $UICIDEBOY$ Sat Aug 13
    Bill Graham Civic Auditorium
    San Francisco, CA
  • Nathaniel Rateliff &
    The Night Sweats Sat Aug 13
    Greek Theatre
    Berkeley, CA
  • Tones and I Sat Aug 13
    The Independent
    San Francisco, CA
  • Third Eye Blind Sun Aug 14
    Oxbow RiverStage
    Napa, CA
View All

About

SF Bay Area-based Another Planet Entertainment is the top independent concert promoter in the United States.

APE is the exclusive promoter for the Greek Theatre in Berkeley, the historic Bill Graham Civic Auditorium in San Francisco, the Fox Theater in Oakland, Lake Tahoe Outdoor Arena at Harveys, Oxbow RiverStage in Napa, The Castro in San Francisco, and The Independent in San Francisco. Another Planet also includes Artist Management and Special Events divisions.

Read More

Venues

  • Greek Theatre at UC Berkeley
  • Bill Graham Civic Auditorium
  • Fox Theater
  • Lake Tahoe Outdoor Arena at Harveys
  • Oxbow RiverStage
  • The Castro
  • The Independent

Festivals

  • Outside Lands
  • Life is Beautiful

Comedy

  • MANAGEMENT
  • PRIVATE EVENTS
  • GALLERY
  • CONTACT

Social

  • Facebook
  • Twitter
  • Instagram
  • Spotify


  • Terms of Use
  • Our Privacy Policy
  • ADA Accessibility
site design
Our website uses cookies to ensure you get the best experience on our website. Privacy PolicyGOT IT!
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Non-necessary
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
SAVE & ACCEPT