Since 2012, Monophonics has steadily built a reputation as a consistent band with a unique sound. Well crafted songs and records are matched by an energetic live performance. A heavenly signature style: Pure timeless heavy soul and warm textures of psychedelic rock. This is a band that revels in the past, taking you back to the stylings of the late 60s and early 70s, while always keeping its feet positioned in the present, looking ahead to the future.

Front man, vocalist & keyboardist Kelly Finnigan always leads with power. The renowned rhythm section starts with drummer Austin Bohlman along with Max Ramey on Bass and Aquilles Magaña on guitar. A dynamic horn section led by Ryan Scott on Trumpet with Jason Cressey playing Trombone always elevates the show & sound. This core group drips in cosmic fashion.

As a touring band, Monophonics has taken their act to dozens of countries, selling out venues all over the states, UK & Europe including London, NYC, Athens, LA, Istanbul, San Francisco, Amsterdam & Paris. Known for putting on an infectious performance which places their intimate songwriting and soulful musicianship on full display. Its the kind of concert that delivers gifts to the mind, body and soul of every crowd in each city they travel to. Monophonics brings a musical experience that is unforgettable, which has earned the group a global fanbase and loyal following.

Sage Motel, Monophonics’ fifth studio album released in 2022 on Colemine Records, once again captures the bands timeless psychedelic soul sound that they are known to produce. Met with an outstanding reception including nods from NPR Music, KCRW, BBC and Shindig, the record has thrived in multiple scenes. Since it’s release, ‘Sage Motel’ has found its way to millions of listeners online and seen thousands of records distributed and sold in record shops around the world.

After summers spent packing showrooms across Europe and the U.S., bringing their mix of meticulous songcraft and electrifying stage presence to the forefront of the soul scene, The Sextones are back. The intrepid soul crusaders from Nevada’s high desert have emerged from both a period of pandemic introspection and a years-long writing and recording process guided by virtuoso producer Kelly Finnigan (Monophonics) with their latest offering: Love Can’t Be Borrowed.

Sophisticated, suave, and masterfully composed, the album is a sonic love letter to late 60s and early 70s soul, nodding to the giants of the genre and bowing to its unsung heroes. Drawing from their upbringings steeped in the sound, frontman and guitarist Mark Sexton and bassist Alexander Korostinsky knew they wanted an album to highlight their old-school bona fides while leaving room for innovation. They found that balance in marathon recording sessions at Finnigan’s Transistor Sound studio in San Rafael, California. Over the course of two years, the producer helped them break down their slate of songs to the bare essentials and add a new layer of sonic maturity.

“The ability to be vulnerable when writing your music is an important ingredient for any record,” Korostinsky said. “You can tell when an artist is being genuine and for a long time, we felt a little insincere with what we were doing. After working with Kelly, we started noticing that the music we were all making now was truly and finally ourselves.”

With inspiration from artists like The Moments, Baby Huey, The Delfonics, and especially the late Curtis Mayfield, the album is drenched in the era-defining tone that can only come from its origins on analog tape. From the first notes of the opening track “Daydreaming,” the songs shimmer and glow from one moment to the next like a summer’s drive with the windows down, with steady cruise anthems like “Beck & Call” floating by like a cool breeze. Love Can’t Be Borrowed is captained by Sexton’s smooth falsetto and bolstered by lush guitar work, crunchy drum breaks, and molten basslines that seep into every crack. Beyond the rhythm section, we find a delicate universe of orchestral strings, punchy horns, vibraphones, and reverb-drenched background vocals—reveling in the hallmarks of the genre as only true acolytes can.

“I feel like this record is going to speak to people who understand it, and that’s who we’re making it for,” Sexton said. “I think it’s going to touch a lot of people emotionally. And, selfishly, we’re making it for ourselves because we just love this kind of music.”

With an authentic sound and historical appreciation, The Sextones’ new album sounds like opening a time capsule from the golden era of American soul, assuring crate-diggers and casual fans alike that the legacy of the genre’s past 50 years is in capable hands.