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$95.00 — Reserved Seating
$75.00 — Reserved Seating
$65.00 — Reserved Seating
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Mary Chapin Carpenter
With hits like “Passionate Kisses” and “He Thinks He’ll Keep Her,” Mary Chapin Carpenter has won five Grammy Awards (with 16 nominations), two CMA awards, two Academy of Country Music awards and is one of only fifteen female members of the Nashville Songwriters Hall of Fame. Over the course of her acclaimed career, Carpenter has sold over 16 million records. In 2020, Carpenter recorded two albums – “The Dirt And The Stars,” released in August 2020, and “One Night Lonely,” recorded live without an audience at the legendary Filene Center at Wolf Trap in Virginia during the COVID-19 shut down, and nominated for “Best Folk Album” at the 64th Grammy Awards in 2022.
Of the new album “The Dirt And The Stars,” produced by Ethan Johns (Ray LaMontagne, Paul McCartney, Kings of Leon) and recorded entirely live at Peter Gabriel’s Real World Studios in Bath in southwest England, Carpenter quotes the writer Margaret Renkl, “ ‘We are all in the process of becoming.’ That doesn’t stop at a certain age. To be always a student of art and music and life, as she says, that, to me, is what makes life worth living. The songs are very personal and they’re difficult in some ways, and definitely come from places of pain and self-illumination, but also places of joy, discovery and the rewards of self- knowledge. They arrived from looking outward as much as inward, speaking to life changes, growing older, politics, compassion, #metoo, heartbreak, empathy, the power of memory, time and place. There are many themes, but they all come back to that initial truth that we are all constantly ‘becoming’ through art and expression.”
Kassi Valazza
Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of Dear Dead Days pedal steel and electric guitar lope along at half time, the in pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. On the opening track “Cayuse”:
“cause they’re hard runnin’ critters, and wild-eyed quitters / kicking up all they can find / that fool hardy man of mine”
Musicians with Southwest origins dependably bring a languorous relaxation — the slow pace a defense against the oppressive heat of the high desert — and a grim sense of gravitas, having walked among the bleached bones and arid landscapes. At times Valazza sings as if her lyrics are smoke she’s exhaling. On “A Fine Colour” she sings every note clearly, and with force, on a surrealist-jealousy jawn.