An Evening With
Another Planet Entertainment is committed to producing safe events. Please review our most up-to-date COVID-19 policy requirements for entry on our Health & Safety page.
* Policy is subject to change
This event is all ages.
$89.50 – Reserved Seating
$79.50 – Reserved Seating
$59.50 – Reserved Seating
*plus applicable service fees
For an additional $60.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change
Joe Satriani had an admirably productive workingman’s holiday, forced time away from the road that ultimately produced his 19th studio album, The Elephants of Mars, as the final result.
The guitarist challenged himself to create a “new standard” for instrumental guitar albums to be measured against, one which would work from “a new platform of his own design,” as he terms it. “I want to show people that the instrumental guitar album can contain far more complexity of creative elements than I think people are using right now.”
Satriani and his touring band, all recording remotely in separate areas of the world during lockdown, answered that challenge in spades. The Elephants of Mars crackles with an exciting new energy, briskly traveling through stylistic roads that feel freshly updated, viewed through new eyes.
From the gripping, sci-fi madness of “Through A Mother’s Day Darkly,” to the isolation felt in a decaying urban landscape, as depicted in “Sahara,” to the general endorphin levels that peak as the elephants finally roar in the title track, The Elephants of Mars offers up an album length journey that never dulls.
It’s one that, thanks to the pandemic and no constraints, truly represents the album that Satriani himself hoped he could deliver with his band. “We did everything. We tried the craziest ideas. And we entertained every notion we had about turning something backwards, upside down, seeing what could happen.”