Reigning CMA Entertainer of the Year and 10-time GRAMMY nominee Eric Church has spent the past year releasing new music at a relentless pace; providing a glimpse into the results of a marathon session during which he spent nearly a month writing and recording a song per day – including current Top 15 single “Hell of a View” – while sequestered in a rural North Carolina cabin, and fueling speculation of his highly anticipated new three-part project, Heart & Soul, set for release this month.

Just as unique as Church’s approach to recording and releasing music is his tenacity on the road. During his most recent outing, 2019’s Double Down Tour, Church played back-to-back nights of two unique shows in each market sans opening act, giving every city’s fans six-plus hours of his iconic music. The tour also featured a massive stop at Nissan Stadium in Nashville, where he broke the venue’s concert attendance record with more than 56,000 fans in attendance and became the first artist to sell out the venue with a solo lineup. Church also recently took to the field at Tampa Bay’s Raymond James Stadium to perform the National Anthem with R&B star Jazmine Sullivan ahead of Super Bowl LV and will return to the road for The Gather Again Tour in the fall.

A seven-time ACM Award winner, four-time CMA Award winner, and 10-time GRAMMY nominee, Church has amassed a passionate fanbase around the globe known as the Church Choir as well as a critically acclaimed catalog of music. His most recent album, Desperate Man, earned a GRAMMY nomination for Best Country Album (his third nod in the category) and produced his most recent No. 1 hit, “Some Of It.” Previous releases include the Platinum-certified Sinners Like Me (“How ’Bout You,” “Guys Like Me”), Carolina (“Smoke a Little Smoke,” “Love Your Love the Most”) and Mr. Misunderstood (“Record Year,” “Round Here Buzz”), the Double-Platinum certified The Outsiders (“Like a Wrecking Ball,” “Talladega”) and the 3x Platinum-certified Chief (“Springsteen,” “Drink In My Hand”), as well as 22 Gold, Platinum and multi-Platinum certified singles.

Making Room 41 nearly killed Paul Cauthen. Ironically enough, it’s also the very thing that saved him.

“Finishing this record was one of the craziest experiences I’ve ever been a part of,” reflects Cauthen, the larger-than-life Texas troubadour nicknamed Big Velvet for his impossibly smooth, baritone voice. “I’m honestly glad it’s done because I don’t think I’d survive if I had to do it all over again. No way.”

Written during a roughly two-year stint spent living out of a suitcase in Dallas’ Belmont Hotel, Room 41 chronicles Cauthen’s white-knuckle journey to the brink and back, a harrowing experience that landed him in and out of the hospital as he careened between ecstasy and misery more times than he could count. Cauthen has long been a pusher of boundaries (musical and otherwise), and Room 41 is no exception, with electrifying performances that blend old-school country and gritty soul with 70’s funk and stirring gospel. His lyrics take on biblical proportions as they tackle lust and envy, pride and despair, destruction and redemption, but these songs are no parables.

Cauthen lived every single line of this record, and he’s survived to tell the tale.

“I’ve always been the kind of artist that can’t write something unless I feel it and I mean it.” says Cauthen, “This record is as real as it gets for me. I am these songs.”

Cauthen first earned his reputation as a fire-breathing truth-teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, My Gospel, that he truly tapped into the full depth of his prodigious talents. Vice Noisey dubbed it “a somber reminder of how lucky we are to be alive,” while Texas Monthly raved that Cauthen “sound[s] like the Highwaymen all rolled into one: he’s got Willie’s phrasing, Johnny’s haggard quiver, Kristofferson’s knack for storytelling, and Waylon’s baritone.” The album landed on a slew of Best Of lists at the year’s end and earned festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed along with dates opening for Elle King, Margo Price, Midland, Cody Jinks, Social Distortion and more. He followed it up two years later with Have Mercy, an album that prompted Rolling Stone to dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim 2019 as “the year of Paul Cauthen.”

As his professional life reached new heights, though, Cauthen’s personal life hit new lows, and he soon found himself drifting without a home. Checked in to room 41 at the Belmont, he began escalating his self-destructive tendencies, medicating heartbreak and anxiety with alcohol and drugs as he ground himself into oblivion.

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In the end, writing and recording Room 41 showed Cauthen that he wasn’t alone, and in that sense, maybe these songs are parables after all. As richly detailed and firmly rooted in Cauthen’s lived experiences as they are, the stories here are universal, with the kind of deeply layered meanings and insights that continue to reveal themselves slowly over time. These days, Cauthen is out of the hotel, but he still carries the lessons he learned in room 41 everywhere he goes, approaching life with a newfound gratefulness and living in the moment with an appreciation for the present that might have seemed impossible even just a year ago.

“I’m making a living with my music and paying the bills,” says Cauthen. “I’ve already made it in my eyes. I’m here. I’ve arrived.”