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Another Planet Entertainment

Live music in the Bay Area and beyond

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ADA Accessibility

We believe that music is a universal language that unites all of us and brings people from all walks of life together. We thrive on making people happy from the time we open our doors to the last note of the concert.

We believe whatever your religion, race, culture, education, gender, ability or disability, that everyone should be able to enjoy music as equally as is reasonably possible and plausible.

We strongly believe that if we do everything we can to treat everyone as we ourselves would wish to be treated, we can succeed in our efforts to “turn everyone on” to the magic of the live music experience. That said, everyone’s case is individual and each venue and show has its own unique challenge. We encourage you to reach out to us directly to purchase tickets and make requests for special accommodations or needs for any event at any venue we present. We will do our very best to accommodate you with an ease of service that will exceed all expectations.

Accessible tickets are available for all events that Another Planet Entertainment presents. To purchase accessible tickets, click on the “Request Accessible Tickets” icon on the respective Ticketmaster event page.

We are committed to full website accessibility for all of our fans, including those with disabilities. We strive to maintain WCAG 2.1 Level AA compliance, and to increase the accessibility of our digital content for all. If you are having difficulty accessing this website, please call us at 1-510-548-3010 or email us at [email protected] so that we can provide you with the services you require through alternative means.

For additional information on our events, assistance purchasing accessible tickets, or for further accessible accommodation requests, please reach out to us directly:

1-510-548-3010 [email protected]
With Love From Tour 2023

Aly & AJ

Miya Folick
Fox Theater
Oakland, CA
Thursday, March 30, 2023
Doors: 7:00pm | Show: 8:00pm
Buy Tickets
Aly & AJ

This event is all ages.

$39.50 – General Admission Floor
$39.50 – Reserved Seating

*plus applicable service fees

For an additional $60.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.

Join us at The Den one hour before doors for food & drinks!

All doors & show times subject to change.

Add this event to your calendar:

Aly & AJ

Miya Folick

Since her critically acclaimed debut album, Premonitions, came out in 2018, Miya has been through quite a bit of messiness and struggle. She quit drugs. She went through a breakup. She left her previous label (Interscope/Terrible) and signed with a new one (Nettwerk). She struggled to make this follow up record into what she wanted it to be, building and rebuilding each song, throwing away some full productions when she didn’t feel they were right. And just as she was finally figuring out this new record, her father suddenly passed away. The final pieces of the record were put together as Miya moved through her grief.

With earworm melodies, straight-shooting poetry, and genre-hopping production, Roach documents the head-spinning highs and soul-crushing lows of one woman’s bumpy, imperfect life. Says Miya, “It’s an album about resilience, growth, and honesty. It’s about trying to get to the core of what life really is.” The title pays homage to Clarice Lispector’s The Passion According to GH, a 1964 novel that heavily influenced Miya’s writing and thinking. “That book made me understand something about myself. This sense that I am always quivering. That somehow simple things feel huge and hard for me. There’s beauty in that sense of agitation but also danger.” Roach is something of a coming-of-age story housed inside a tilt-a-whirl. “I think over the course of writing this record, I actually did the work and got closer to the person that I really want to be,” she explains, “But that path isn’t linear, I still have moments where I disappoint myself, where I’m angry with myself. That’s why the album might feel a bit emotionally dizzying. It’s not a straight path.”

Premonitions was rightly praised for how it showcased Miya’s arresting, athletic, once-in-a-lifetime voice. As soon as it was completed, though, Miya knew there was a deeper and more honest place she wanted to live, lyrically. Some of the language on Premonitions she describes as “a bit opaque,” saying, “I was writing from a place of fear. I didn’t want to look at myself directly, so I created lyrical obscurities. It felt like I was masking my insecurities with poetry. Putting Premonitions out into the world and singing those songs on tour made it very clear to me that I wanted to make songs where I was not hiding.”

She was determined for her subsequent project to be more direct and honest, an aesthetic dealbreaker that begot a great deal of in-studio trial and error, with Miya eventually recruiting behind-the-scenes personnel who brought out the best in her and in the music, including Gabe Wax (War on Drugs, Fleet Foxes), Mike Malchicoff (King Princess, Bo Burnham), Max Hershenow (MS MR), and a team of some of LA’s best players. The resulting album feels incredibly intimate. “When my best friends listen to this record they’re like, This is you,” Miya says. “This is what it’s like to hang out with you.”

Listening to the finished songs — which are earnest and raw, with plenty of huge hooks and dark comedy — it’s immediately obvious that all the effort and experimentation was worth it. “Bad Thing,” which Miya co-wrote with Mitski and Andrew Wells and produced with Gabe Wax, is a paradoxically blissed-out burst of dancefloor-ready melancholia, its frank lyrics about the hazards of hedonism functioning like a thesis statement for Roach’s narrative of personal transformation: “This time I will take it slowly / Say no to everything I don’t need.” Here, and all across the record, Miya’s percussive diction steers the song’s momentum, proof that her voice is a singularly prolific instrument, even when it’s not doing gravity-defying acrobatics.

Roach is an exhilarating mix of sounds and styles, an eclecticism that reflects Miya’s increased writerly confidence and playful disposition. With its pulsing drums (Sam KS), head-banging guitars (Greg Uhlmann), and unflinching lyrics, “Get Out of My House” is pure punk catharsis, a better-off-without-you breakup song designed for thrashing around your bedroom like no one’s watching. Otherworldly saxophones (Sam Gendel) and a soulful bass (Sam Wilkes) bring magic to “Mommy”, a song that Miya self-produced in her bedroom and then brought to Gabe Wax for the finishing touches. “Mommy” is a folky trip-hop meditation on ancestry. The Matias Mora- produced “Cartoon Clouds” is glitchy bedroom-pop, delicate and handmade with a beat that will hit you square in the chest. “I felt like people wanted me to choose one, ‘Either you’re indie girl or you’re pop girl,” Miya says, reflecting on past production experiences. “But I don’t think those distinctions matter anymore; I just want a song to feel true to itself.”

The Chicago songwriter Gia Margaret adds piano to the acoustic atmosphere of “Ordinary,” a soulful track that recalls Mazzy Star’s wide-open dream-folk. “Our life is small but it’s big enough for me,” Miya croons, over a bed of lush bass (Patrick Kelly). It’s an ode to a less-chaotic way of living. Like a lot of creatively restless minds, Miya has always felt drawn to intensity: intense emotions, intense people, intense experiences. These new songs aren’t about banishing that excitement from her life — they celebrate finding it in more tender, more forgiving places. “Rather than finding joy in rushing into things, I’m finding joy in patience, in quiet, in getting to know somebody slowly. I’m letting myself pause,” she explains.

“Tetherball,” a sweeping song that begins with Miya’s vocal alone and builds into a churning dance beat with hooky synths, is the second time Miya invokes the album’s title. But this time it’s a quieter triumph. It’s an image of Miya sitting in a car, curled up like a roach, finally speaking her truth, asking for another start.

Above all, Roach is a tribute to perseverance, to messiness, to stillness, to resilience. It’s a real achievement — a gorgeous, labored-over time capsule of life’s pains and joys.

Upcoming Events

  • Melanie Martinez Tue Jun 06
    Bill Graham Civic Auditorium
    San Francisco, CA
  • Hobo Johnson Tue Jun 06
    The Independent
    San Francisco, CA
  • fish narc Wed Jun 07
    The Independent
    San Francisco, CA
  • The Blue Stones Thu Jun 08
    The Independent
    San Francisco, CA
  • What’s Love Got To Do With It Fri Jun 09
    Castro Theatre
    San Francisco, CA
  • Rochelle Jordan Fri Jun 09
    The Independent
    San Francisco, CA
  • WHO FRAMED ROGER RABBiT Sat Jun 10
    Castro Theatre
    San Francisco, CA
  • Yeah Yeah Yeahs Sat Jun 10
    Greek Theatre
    Berkeley, CA
  • Royal Jelly Jive Sat Jun 10
    The Independent
    San Francisco, CA
  • Old Gods Of Appalachia: The Price Of Progress Sun Jun 11
    Marines’ Memorial Theatre
    San Francisco, CA

View All

About

SF Bay Area-based Another Planet Entertainment is the top independent concert promoter in the United States.

APE is the exclusive promoter for the Greek Theatre in Berkeley, the historic Bill Graham Civic Auditorium in San Francisco, the Fox Theater in Oakland, Lake Tahoe Outdoor Arena at Harveys, Oxbow RiverStage in Napa, The Castro in San Francisco, and The Independent in San Francisco. Another Planet also includes Artist Management and Special Events divisions.

Read More

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