10,000 gecs Tour
10,000 gecs Tour
Another Planet Entertainment and the Fox Theater – Oakland are committed to producing safe events. All patrons attending events at the Fox Theater on or after 9/15 are required to show proof of full vaccination (must be 2 weeks past final dose). Per Alameda County, masks are also required. For more information, visit our Health & Safety page.
* Policy is subject to change
This event is all ages.
$29.50 – General Admission Floor
$29.50 – Reserved Balcony
*plus applicable service fees
For an additional $60.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
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100 gecs, the duo of Dylan Brady and Laura Les, planted their flag on the proverbial pop culture moon with their 2019 debut album 1000 gecs, which was heralded by The New Yorker as, “an impressively precise maximalist exercise with no rules” and “utterly unhinged in the best way possible” by GQ. The innovative project captured the hearts of fans and critics alike – selling out all of their live shows to date along with The New York Times calling it, “some of the savviest pop music of the year,” and Rolling Stone dubbing it “one of 2019’s most exciting debuts.” In just a few months following the release of 1000 gecs, the band went from playing their first concert from inside the video game Minecraft to selling out shows across the country, proving that their rabid, rapidly multiplying fanbase doesn’t only exist in the far corners of the internet. After their world tour was postponed in the summer of 2020, Brady and Les kept rolling with the release of 1000 gecs and The Tree of Clues, a rework of the original album featuring collaborations from the likes of A. G. Cook, Fall Out Boy, Charlie XCX, Rico Nasty, as well as crowd sourced contributions by fans. The transformative release was described by The NME as a “brain-melting, genre-crushing vision of pop’s future.”