The Avett Brothers
$119.50 – Reserved Seating
$99.50 – Reserved Seating
$59.50 – Reserved Seating
$45.00 – General Admission Lawn
*plus applicable service fees
Tickets are also available with a $5.00 service charge fee at the following location:
Fox Theater Box Office – 1807 Telegraph Ave, Oakland CA
located on the 19th Street side of the theater
HOURS: Open during shows & Fridays, noon – 7:00pm
Tickets are also available service charge free at the following location:
Zellerbach Hall – 101 Zellerbach Hall #4800, Berkeley, CA
located on the UC Berkeley campus
HOURS: Tuesday – Friday, noon – 5:30pm & Saturday – Sunday, 1pm – 5pm
All doors & show times subject to change.
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When you’re receptive to the forces around you, you’ll notice there’s something powerful in the air.
It’s that feeling of inspiration to which The Avett Brothers consistently remain open.” It’s a spirit that courses through everything that they do. You could call it a “creative lifeblood” or a “muse”, but it’s ultimately indefinable. However, you can hear it and feel it within 2013’s Magpie and the Dandelion.
Recorded immediately after The Carpenter with Rick Rubin (marking their third consecutive team-up in the studio with the iconic producer), the North Carolina quartet—Seth Avett, Scott Avett, Bob Crawford, and Joe Kwon—rode a creative wave that yielded another ponderous, poetic, and passionate collection on the heels of their most successful set to date, no less.
Their eighth studio album went on to debut at #5 on the Billboard Top 200, while they performed on The Tonight Show With Jay Leno and The Late Show with David Letterman as well as joining legendary Soundgarden singer Chris Cornell for a rapturous Pearl Jam tribute on Late Night With Jimmy Fallon. A string of sold out shows followed as the boys continued to dream up their next step. Much like their own music, it promises to continue tradition, while making a decidedly personal statement. If you keep your eyes, mind, and heart open, you’ll undoubtedly feel it.
During 2009, the group made mainstream waves with their lauded major label debut, I and Love and You. It landed at #16 on the Billboard Top 200 and garnered unanimous critical acclaim from Rolling Stone, Paste, New York Times, Los Angeles Times, and Time, who even dubbed it one of Top 10 albums of the year. 2012 saw The Carpenter hit #4 on the Billboard Top 200—their highest bow to date—while People, USA Today, and American Songwriter lauded the album. The group graced the stage of Jimmy Kimmel LIVE! twice in merely a few months’ time. During the second performance, they invited the Brooklyn Philharmonic Orchestra along to pay homage to Brooklyn with “I and Love and You” as personally requested by Mr. Kimmel.
In 2001, banjoist Scott and guitarist Seth formed The Avett Brothers with standup bass player Bob. Growing up in Concord, NC, the boys immersed themselves in their musician dad’s record collection, falling in love with Bob Dylan, Neil Young, and Crosby, Stills & Nash. They rose to the status of genre stalwarts over the course of six albums, including 2007’s acclaimed Emotionalism. The book is open though, and the next chapter for The Avett Brothers will definitely be the brightest, boldest, and biggest yet.
The title of Lake Street Dive’s Free Yourself Up is both an exhortation to listeners and a statement of purpose for the band. The songs have an infectious swagger, even when dealing with awkward breakups or the unsettled state of our world. Free Yourself Up is Lake Street Dive’s most confident album yet, seriously soulful and exuberantly rocking. And, in many ways, it is Lake Street Dive’s most intimate and collaborative, with the band itself taking over the production reins and working as a tightly knit unit to craft these ten songs. In addition, the quartet drafted touring keyboardist Akie Bermiss to join them in the studio, literally freeing the band up to explore a wider range of instrumental textures, construct more full-bodied arrangements, and build stacks of lively background harmonies.
On Free Yourself Up, the sound is influenced by late sixties-early seventies R&B, AM pop, and FM rock while the lyrics are informed more by contemporary events. The album opens with “Baby, Don’t Leave Me Alone With My Thoughts,” which envisions a lover acting as a “human shield” against the anxiety of our Twitter-ravaged age. It’s funny, sweet, a little angry, and definitely right up-to-the-minute in its sentiment. Singer Rachael Price says, “I thought about that song as the thesis of this record. It’s a disco-dance fun song but it’s also a person talking about needing comfort from another person, and it has a reference to the political climate.”