$125.00 – Reserved Seating
$85.50 – Reserved Seating
$65.50 – Reserved Seating
$35.50 – Reserved Seating
*plus applicable service fees
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
All doors & show times subject to change.
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Sam Smith’s sophomore album, The Thrill Of It All, will be released worldwide on November 3rd via Capitol Records. The pre-order is underway now at http://samsmith.world/TTOIAUS. Fans who pre-order the digital album will instantly receive the new track “Pray” plus the first single, “Too Good At Goodbyes.” See below for full track listing.
“Too Good At Goodbyes,” the album’s first single, is a global smash, hitting No. 1 on the U.K. and Global Spotify Charts and topping the U.K. and U.S. iTunes charts. It has captured the top spot on the U.K.’s Official Singles Chart Top 100 for three consecutive weeks, marking Smith’s sixth No. 1 single there. In the U.S., “Too Good At Goodbyes,” debuted at No. 1 on Billboard’s Digital Song Sales chart. Worldwide Spotify streams of the single already exceed 100 million. Views of the official video, which can be seen HERE, are nearing 60 million.
Rolling Stone hailed “Too Good At Goodbyes” as “poignant” and TIME observed, “Cue the swelling violins, gospel chorus and Smith’s inevitable return to dominance.” Vulture said, “Crooning with his trademark soul, Smith packs an emotional punch with his lyrics…It’s been a long wait…but if the rest of his upcoming album is as moving as this new song, it has certainly been worth it.”
Released in June 2014, Smith’s In The Lonely Hour was the biggest selling U.K. male debut in the SoundScan era and went on to sell 13 million adjusted albums worldwide. In February 2015, Smith set a GRAMMY® record, winning a total of four awards – the most ever received by a U.K. artist following the release of a debut album. He was named Best New Artist, In The Lonely Hour took Best Pop Vocal Album honors and his single “Stay With Me” won awards for both Record and Song of the Year. Smith has also earned an Oscar, a Golden Globe, three Billboard Music Awards and three BRIT Awards, among others.
It’s tempting to set up a grand introduction for Beth Ditto on the occasion of her solo debut after disbanding the Gossip, but this native Arkansan can say so much in a few swaggerful lines over a pounding kick drum and bone-rattling bass guitar: “Two sisters, four brothers/Hard worker, like my mother/Not bitter, so sweet/Strawberry ca-ca-canned peach!” Those lyrics (from the Jacknife Lee cowrite “Oo La La”) contain the fundamentals of Ditto’s album Fake Sugar: family strength, punky grit, unabashed Southernness and the rural-rags-to-rock-royalty story of our hostess, who here turns strive and strife into music that is honeyed and familiar. Over an overhauled mashup of driving blues, malt-shop pop, swooning rock and countrified soul produced by Jennifer Decilveo (Andra Day, Ryn Weaver), Ditto approaches love, loss, looking back and moving forward with all the sexiness, poignancy, power and beauty you’d hope to hear from such an iconoclastic artist.
To say Fake Sugar was born of change is understatement. “It’s my divorce, isn’t it?” asks Ditto. “I was going through a breakup with the loves of my life. Gossip was the longest relationship I’d ever had.” At the same time, she got married, literally, to her best friend since she was 18. And while Ditto and her new wife did settle somewhat into domesticity at home in Portland — their two cats, Tofu and Butters, and Ditto’s crochet habit are well documented on Instagram — the singer was busy doing much more than singing. Sure, she recorded with Blondie, disco legend Cerrone, and drumstep DJ Netsky, and even moonlit as a wedding singer with Cat Power, but Ditto also made strides into fashion. She launched her eponymous plus-sized luxury line with a Jean Paul Gaultier collaboration, posed in an Alexander Wang portrait series, modeled for Marc Jacobs on the runway and in print, and appeared in Tom Ford’s Oscar-nominated Nocturnal Animals. “I don’t think about that stuff like, ‘This is good for my career.'” says Ditto. “It’s like, ‘This’ll be hilarious fun.'”