$149.50 – Reserved Seating
$95.00 – Reserved Seating
$75.00 – Reserved Balcony
*plus applicable service fees
Presale begins Thursday, January 11th at 10am!
(password = hotpot)
The general on sale begins Friday, January 12th at 10am.
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include VIP access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for Happy Hour!
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If any one member of The Who can be said to be the group’s founding member it is singer Roger Daltrey, who was born in the West London suburb of Shepherd’s Bush on March 1, 1944. Roger first assembled the group that would become The Who in 1959 while at Acton County School, recruiting John Entwistle and subsequently agreeing to John’s proposal that Pete Townshend should join. In those days Roger, whose daytime job was in a sheet metal factory, even made the band’s guitars, and it was his energy and ambition that drove the group during their formative years. That same energy, coupled with his unwavering resolve, has sustained the group during periods of uncertainty ever since.
Roger’s earliest tastes in music ran to the blues and R&B which formed the set list during their early years as the Detours, as well as Fifties rock’n’roll, which is reflected in his outstanding interpretations of such noted Who covers as ‘Summertime Blues’ and ‘Shakin’ All Over’. In surrendering his leadership of the band to Pete when the latter became the group’s songwriter, Roger became the mouthpiece for Pete’s lyrics and ideas. At the same time he contributed to the group’s sense of showmanship by developing his unique skill at twirling his microphone lead around like a lasso and, by the time of Tommy in 1969, becoming one of rock’s most iconic sex symbols with his golden curls, bare chest and fringed suede coats.
In this respect Roger became Tommy, the deaf dumb and blind boy of Pete’s imagination, and it was therefore only natural that he should assume the role in Ken Russell’s movie adaptation of the rock opera in 1975, for which he received a Golden Globe nomination. This in turn led Roger to develop a concurrent career as a film actor while continuing to sing with the Who. Other film credits over the years include Ken Russell’s Lizstomania, the title role in McVicar, Lightning Jack with Paul Hogan, Teen Agent, and numerous roles in TV dramas. Most recently he appeared in the US CBS TV show C.S.I. – which uses Who songs as theme music – as five separate, differently made-up characters, one of them a middle-aged African-American woman. Other US TV appearances include Lois & Clarke (Superman), Midnight Caller, William Tell, Sliders and Highlander as well as Leprechauns for Celtic Leprechaun Ltd and The Bill, the long running UK TV police drama. He has also narrated a series for the History Channel, undergoing extreme hardships similar to those faced by pioneering settlers in America and elsewhere.
Roger has also cultivated a singing career outside of The Who, beginning in 1973 when he found himself on the BBC’s Top Of The Pops, the UK’s then premier chart TV show, promoting the single ‘Giving It All Away’ which reached number five in the UK charts. It was a track from his first solo album Daltrey, released that same year, which he followed up with the albums Ride A Rock Horse (1975), One Of The Boys (1977), the soundtrack to McVicar (1980), and After The Fire (1985).
Roger has appeared on stage away from The Who on many occasions, and his 1994 solo concert at New York’s Carnegie Hall, with The Juillard Orchestra, was the fastest selling event in the venue’s history. The following year he appeared on stage as The Tin Man in a production of The Wizard Of Oz at The Lincoln Centre, and in 1998 he starred as Scrooge in A Christmas Carol at Madison Square Garden. He has also performed with his friends The Chieftains, the traditional Irish band, and toured the world with the British Rock Symphony interpreting a variety of rock classics.
As well as being one of the original supporters of Nordoff Robbins, The Who have raised many millions for a multitude of charities throughout their career.
Since 2000 Roger has been a patron of the Teenage Cancer Trust, a charity that builds specialised wards for teenagers with cancer in the UK. That year Roger had the idea of setting up the first show at the Royal Albert Hall by ‘The Who & Friends’, with ticket sales and revenue from a DVD and CD raising over £1.2 million, and as a result Roger was given a Humanitarian Award in 2003 from Time magazine. In February 2005, Roger was awarded a CBE by the Queen at Buckingham Palace for his services to music and good causes.
As a member of The Who who were already members of the Rock N Roll Hall of Fame, Daltrey was inducted in 2005 into the UK Music Hall of Fame. In December 2008, he and Pete Townshend were honoured with America’s most prestigious cultural award as recipients of the 31st Annual Kennedy Center Honors in Washington, D.C. by then-President of the United States, George W. Bush. On the 4th of March 2009, three days after his 65th birthday, Daltrey accepted the James Joyce Award from the Literary and Historical Society of University College Dublin for outstanding success in the music field. On the 12th of March 2011, he received the Steiger Award (Germany) for excellence in music. Daltrey and Pete Townshend received the Classic Album Award for Quadrophenia from the Classic Rock Roll of Honour Awards at the Roundhouse, 9 November 2011, On March 24th, 2011, Roger and his band gave a complete performance of Tommy at a Teenage Cancer Trust show at the Royal Albert Hall, London, supported by imagery which he commissioned from students of Middlesex University. Over the next year, he toured Tommy in the U.S., Europe and Japan.
After playing the legendary Super Bowl in 2010 and closing the Olympics in 2012, The Who continued their charity work by playing a concert in January 2011 to raise money for trials of a new cancer treatment called PDT. Then in December 2012 they played at the Hurricane Sandy Benefit in New York and in January 2014 they played a set to support the Stand Up To Cancer Charity. Ever pursuing his mission to give something back to teenagers, “without whom,” as he said, “we would have no career”, in November 2012 Roger, with Pete Townshend at his side, launched Teen Cancer America. The charity is now established in the USA, with offices in Los Angeles and devoted Teen Cancer units being opened in hospitals all over the U.S.
Between November 2012 and July 2013, The Who toured an arena production of Quadrophenia + More in the U.S. and the UK (with added shows in Paris and Amsterdam) Daltrey directed the staging and visuals of the show himself. The tour received rave reviews from press and fans alike.
In December 2013 Roger recorded an album with Wilko Johnson, guitarist of the legendary British R and B band Dr Feelgood, for release on the revived Chess Label in March 2014. The album charted at number 3 and sold over 150,000 copies in the UK.
In October 2014 The Who embarked on a critical acclaimed UK and U.S. tour to mark their 50th Anniversary which included headlining at Hyde Park and Glastonbury. The tour lasted until May 2016, raising over $500K for Teen Cancer America on the way.
At the end of the tour on May 31st 2016 Roger and The Who played at a benefit in Los Angeles raising $1.5M for Teen Cancer America and an equal amount for an Autism Charity.
In 2016 The Who performed further shows including headlining the Isle of Wight and playing at the Festival in the Desert in October, In 2017 they did a residency at Caesars Palace Las Vegas as well as several other US shows and toured South America for the first time.They still found time for a short UK Tour and performed Tommy at the Royal Albert Hall to benefit the Teenage Cancer Trust
2018 will see the release of Roger’s autobiography and his first solo album in 26 years.
However busy he is with his solo work and charitable endeavours, the group he formed at a Shepherd’s Bush Youth Club at the age of 16 will always be his first love. Even more than his colleagues, it has been Roger who has done his best to keep The Who’s flag flying during those periods when Pete felt the need to seek creative outlets elsewhere, and the respect he has earned from Who fans as a result is something he cherishes deeply.
This was never more apparent than when, in 1995, Roger took the trouble to generously assemble a band to appear at the first British Who Convention, organised by Who fans for Who fans, at Shepherd’s Bush, the area of London where he was born which has become synonymous with the band. As the ad-hoc group, which included John Entwistle and Pete Townshend’s brother Simon, left the stage, Roger gazed over the sea of faces. “Thank you,” he said, genuinely moved by the occasion. “You’ve given us a wonderful life.”
Leslie Mendelson returns with ‘Love & Murder’—the singer/songwriter’s first new album in eight years. A stirring work imbued with emotional depth and poise, the effort is the long-awaited follow up to her Grammy Award-nominated debut, ‘Swan Feathers.’ It’s an apropos title, reflecting the dichotomy between the dark and light she encountered in those years between.
Poised for stardom in 2009 with comparisons to Carole Kingand Rickie Lee Jones on the tip of tastemakers’ lips, fate as it often does, had other plans. Perhaps though to the benefit of her art. After losing a record and management deal and having her friend and producer Joel Dorn unexpectedly pass away, Mendelson recommitted to her work and slowly but surely penned the songs with her longtime co-writer Steve McEwan that would become ‘Love & Murder.’ Produced by Mark Howard (Bob Dylan, Lucinda Williams), it’s a sparse, raw collection of ten folk songs. Opening with “Jericho,” a haunting number that sets the tone for what’s to come, it makes clear that ‘Love & Murder’ lies more within darker spaces that artists like Sharon Van Etten, Lana Del Rey and Dusty Springfield inhabit. Songs like “Murder Me,” “Coney Island,” and “Chasing the Thrill” find Leslie exploring loss in ways that feel personal and metaphorical, where the stories within are multifaceted.
She also recorded three covers for the album: the classic-country infused “Cry, Cry Darlin’,” a take on Bob Dylan’s classic “Just Like a Woman,” played on the ukulele, and a duet with The Grateful Dead’s Bob Weir on Roy Orbison’s “Blue Bayou.” In fact, Mendelson was unwittingly adopted by the West Coast jam scene after Weir heard her take on “Friend of the Devil” and recruited her to perform with him. On ‘Love & Murder,’ however, Leslie offers a different side that isn’t been present in her early work or recent collaborations. “This collection is just about the songs and my voice,” she says. “That’s what people can connect with. It shows where I am right now as an artist and where I want to go.”