This event is all ages.
$59.50 — General Admission Floor
$59.50 — Reserved Balcony
*plus applicable service fees
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
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Portugal. The Man took 2017 by the horns after a considerably long gap, especially for a band that has dropped roughly an album a year since 2006. They spent years working on an album called Gloomin + Doomin before later developing what would become known as their eighth studio album WOODSTOCK. Fate struck lead singer, John Gourley, twice. First, John got some parental tough love from his old man. “What’s taking so long to finish the album?,” John’s dad asked. “Isn’t that what bands do? Write songs and then put them out?” The whole thing got John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and more importantly, about how to get off of it. Second, John found his dad’s ticket stub from the original 1969 Woodstock music festival, which ultimately knocked something loose in his head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them.
With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and threw it out. The band went back to the studio – working with John Hill, Danger Mouse and longtime collaborator Casey Bates. In this new-found creative territory, the album that became WOODSTOCK rolled out naturally from there. Fast forward to present day and it was impossible to escape the album’s first single “Feel It Still,” which dominated the charts and radio airwaves in 2017. The multi-platinum certified hit reigned at #1 at nearly all radio formats, including Top 40, as well as Alternative, where the song held the chart’s top spot for a mind-blowing 20 weeks, breaking the record for most weeks at #1. Yes, you read that right. 5 guys from Wasilla, Alaska who have played nearly 1,500 shows in their career broke Alternative radio records and had a #1 song at Pop radio. Billboard Magazine even went as far as to call the song, “the unexpected rock crossover hit of 2017,” while Rolling Stone listed it as “one of the best songs of 2017.” AND THEN…the band kicked off 2018 by winning a GRAMMY Award for “Feel It Still,” a song that has gone on to be 5X Platinum in the US alone.
They came out of L.A., four young men in vintage formalwear, playing songs that blended Brazilian Tropicalía with early ’70s psychedelic soul and the romantic pop of bands like Los Ángeles Negros. It was an immediately addictive sonic brew, and their reputation grew fast. Since forming in 2008, Chicano Batman have released two full-length albums—a self-titled 2009 debut, and 2014’s Cycles Of Existential Rhyme—and two EPs. The band has played Coachella, and toured with Alabama Shakes and Jack White, among others. Now, they’re making their boldest statement yet with Freedom Is Free, their third album and ATO Records debut.
Frontman Bardo Martinez met bassist Eduardo Arenas in 2008, and they quickly found common ground in the work of Caetano Veloso and other Tropicalía performers, as well as the kind of vintage soul and pop heard on “the albums our parents have in their closets.” They recruited drummer Gabriel Villa and made their first album as a trio; guitarist Carlos Arévalo joined the band in 2011 and they released The Joven Navegante EP the following year.
Chicano Batman’s look has done as much to set them apart as their sound or their name. Since the beginning, they’ve performed in matching suits and ruffled shirts; Bardo explains, “We’re making a particular reference that some people understand—Los Ángeles Negros, Los Pasteles Verdes. In the ’70s, it was a big thing where all these cats were playing romantic ballads, but they were funky as hell.