This event is 21 and over.
$12.00 – General Admission (Advance)
$15.00 – General Admission (Door)
*plus applicable service fees
Tickets available at The Independent box office (628 Divisadero, SF) with no service charge.
All doors & show times subject to change.
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Swiss group Klaus Johann Grobe have been at it since 2012, and as they prepare to release their third album “Du Bist So Symmetrisch” (and third on Trouble In Mind), the group continues to defy description & blur the lines between electronic pop, dance music, synthesis & kosmische.
“Du Bist So Symmetrisch” follows the inevitable path laid out by their previous album (the Basel Prize-winning “Spagat der Liebe”), incorporating the slinky, jazz-fusion-laced grooves populating late night clubs and braiding them together with the band’s own blend of mutant electro-funk. Driven by an organic, metronomic beat aligned with synth, chant-like vocals, and a monstrous funky bass, the music aims towards a certain kind of hypnosis, particularly as the sleeping pill echo-heavy vocals cycle over the locked grooves the pair throw down. “Du Bist…” begins with the cascading arpeggio of a synth, edging into view, before lurching into the placid dancefloor groove of the first single “Discogedanken”. While the band invariably feels more at home in the club, Klaus Johann Grobe certainly aim towards the more dance-orientated arena of German music (see “Der König” or “Von Gestern”), aligning the metro pulse of Klaus Dinger and Kraftwerk’s later techno work to more biological factors – like moss growing on the mainframe.
The band has toured extensively since 2014, highlights being supporting tours with Unknown Mortal Orchestra, The Growlers and Temples, and they have toured and played festivals in the U.S.A., U.K., Netherlands, Luxembourg, Germany, Switzerland, France and Spain. “Du Bist So Symmetrisch” will be released worldwide by Trouble in Mind Records on October 26th, 2018 on Digital, CD, and LP.
The rare history of harmonious pop music imbued in Vinyl Williams’s world is finally coming to the conscious surface in the warped form of a celestial hyper-coaster, combining sunshine pop, afrobeat, and progressive rock into a dense emanation of sonic optics. The California native has attuned his sound palette to the cosmic quintessence – opalescent tones that harmonize chaos, synchronizing a global family of celestial harmonies into a macrocosmic epicenter.
Williams’s approach to music is almost purely aesthetic, arranging ecstatically ornate patterns that juxtapose the electric guitar chords with the bass line in rapturously risky variations. Without a doubt, it’s not your average psychedelic pop music. It doesn’t veil simple campfire chords with spring & fuzz. It’s more like stretched-out jazz for the layman, allowing one to be aware of its changes without them passing by you unconsciously.
Williams also creates his own immersive realms in the form of 360º videos, downloadable explorable worlds, and interactive web art. These ineffable environments impress upon transcendental incorporeal states of being around the center star of Orion – Alnilam.
Before meeting Iasos (founder of New Age music) in 2013, Williams already had an out-of-body experience where he visited this syncretic haven. During their conversation, Iasos revealed a similar experience that had occurred where an ineffable intelligence “Vesta” sent endless hours of higher dimensional footage into his mind in an instant. The process hence has been a process of discovering how these visual architectural & sonic atmospheric forms can be concentrated in a pop structure. The main ambition of the group is to transmute qualitative opposites into an equilibrium of light & sound, that ultimately has a beneficial affect for the audience.
Active since 2007, the group have toured extensively with Toro y Moi, Unknown Mortal Orchestra, Mount Kimbie, This Will Destroy You, Temples, among others.