This event is all ages.
$35.00 – General Admission Floor
$35.00 – Reserved Balcony
*plus applicable service fees
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
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For Judah & the Lion, the last two years should’ve been the best of their lives as the Nashville band toured behind a powerful single and a genre-upending album, sharing stages with heroes and playing to oceans of fans. But as everything was coming together for them, singer-guitarist Judah Akers’ family was falling apart in a hail of alcoholism and affairs, death and divorce. From that tension comes Pep Talks, the trio’s third LP and a hard left turn into deeply personal terrain. Knowing they had something new on their hands, Judah, Brian Macdonald (mandolin), and Nate Zuercher (banjo) took their time crafting a set of songs that not only shores up their one-of-a-kind sound — a heart-pounding whirl of folk, bluegrass, rock, hip-hop and electronic production — but takes the listener on a bracingly candid, surprisingly anthemic journey from the kind of pain that tears your whole world apart to the sort of hard-won hope that can bridge the deepest of rifts.
Judah & the Lion has been a family unto itself since forming at Nashville’s Belmont University in 2011. Judah was from nearby Cookeville, an aspiring baseball player with a secret love for folk guitar. Brian, from Chicagoland, was mostly obsessed with piano. Coloradan Nate was a son of symphony players but preferred metal. Their differences were their strength as they crafted their sound over a bluegrass-heavy debut, Kids These Days, and a mold-breaking follow-up, Folk Hop n’ Roll, both produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and made in two weeks. In 2017, their triumphant “Take It All Back” topped the alternative songs chart for three weeks in a row, paving the way for a Best New Rock/Alternative Artist win at the 2018 iHeartRadio Awards. While many of Pep Talks’ songs were written on the bus immediately after the band’s famously high energy shows —at various festivals and on tours with Twenty One Pilots, Incubus, Jimmy Eat World, and Kaleo — the boys co-produced and recorded this LP over three inspired months with help from boundary – busting friends like Darren King, Jon Bellion, and Kacey Musgraves.
As innovation blurs borders and connects individuals everywhere, the world continues to get smaller by way of social media, video chats, and so on and so forth. When two kindred spirits cross paths 4,249 miles away from each other, magic still feels like the best possible explanation how…
Flora Cash emerged at such an intersection. As the story goes, Minneapolis native Cole Randall uploaded his music to Soundcloud. Across the Atlantic, Shpresa Lleshaj stumbled upon his account and started leaving comments under the songs. Facebook messages gave way to an introductory phone conversation, which snowballed into marathon Skype sessions.
Within months, Shpresa booked a ticket to Minneapolis. The two soulmates met I.R.L., relocated to Sweden, spent three months renting a room in a London flat due to Visa restrictions, and finally married back in the states. At the same time, the mystique of the music offset the exuberance of the union between them. The duo stitched together a singular style from threads of personal anxiety, struggle, and ultimately triumph.
“The fact that we’re collaborating comes from our relationship, but there’s more to our experience than the relationship,” affirms Cole. “It’s as if we’re expressing ourselves individually and bringing those elements together within the band. We all lose people, endure hardships, and face issues. We want to talk about all of that in our music.”
“It’s reality, but there is a mystery,” adds Shpresa.
The mystery quietly intoxicated fans and gatekeepers alike. In 2017, their full-length debut,Nothing Lasts Forever (And It’s Fine), attracted widespread tastemaker praise, including a coveted 9-out-of-10 score from Earmilk as well as acclaim from Noisey, Paste, Wonderland Magazine, Elmore Magazine and The Line of Best Fit, to name a few. The quiet grind paid off as the single “You’re Somebody Else” went viral, clocked 7 million streams, topped HypeMachine, and attracted the attention of RCA Records.
Upheld by acoustic guitars and ethereal production, “You’re Somebody Else” hinges on a gorgeously paranoid refrain, “Well you look like yourself, but you’re somebody else—only it ain’t on the surface. Well you talk like yourself. No, I hear someone else though. Now you’re making me nervous.”
“I was going through a rough patch,” admits Cole. “It caused Shpresa to go through a rough patch. My anxiety got the best of the both of us.”
“We were staying in my sister’s apartment where we recorded it,” Shpresa elaborates. “We lit a candle, Cole played a riff, and we developed this melody. It was like self-therapy for us.”
As they write more music in 2018, the story gets even deeper for Flora Cash.
“It’s important for us to express what’s inside,” she continues. “Whether it’s good, bad, or complicated, we just hope people feel something.”
For open as Flora Cash may be, one key element will remain a secret…
“We’re really open about who we are, but we’ve never told anyone the meaning of our name,” smiles Cole. “It was based on a conversation with someone close. Now I’ve said more than I’ve ever said to anyone,” he laughs.
That’s the magic of Flora Cash.