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Another Planet Entertainment

Live music in the Bay Area and beyond

  • Venues
    • Greek Theatre
    • Bill Graham Civic
    • Fox Theater
    • Tahoe Harveys
    • The Independent
  • Festivals
    • Outside Lands
    • Life Is Beautiful
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ADA Accessibility

We believe that music is a universal language that unites all of us and brings people from all walks of life together. We thrive on making people happy from the time we open our doors to the last note of the concert.

We believe whatever your religion, race, culture, education, gender, ability or disability, that everyone should be able to enjoy music as equally as is reasonably possible and plausible.

We strongly believe that if we do everything we can to treat everyone as we ourselves would wish to be treated, we can succeed in our efforts to “turn everyone on” to the magic of the live music experience. That said, everyone’s case is individual and each venue and show has its own unique challenge. We encourage you to reach out to us directly to purchase tickets and make requests for special accommodations or needs for any event at any venue we present. We will do our very best to accommodate you with an ease of service that will exceed all expectations.

Accessible tickets are available for all events that Another Planet Entertainment presents. To purchase accessible tickets, click on the “Request Accessible Tickets” icon on the respective Ticketmaster event page.

For additional assistance purchasing accessible tickets or requesting accessible accommodations, please reach out to us directly:

1-510-548-3010 contact@anotherplanetent.com

Fever Ray

Bunny Michael

Fox Theater
Oakland, CA
Saturday, May 26, 2018
Doors: 7:00pm | Show: 8:00pm
Buy Tickets

$35.00 – General Admission Floor
$35.00 – Reserved Balcony

*plus applicable service fees

Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.

For an additional $50.00, you can opt in to upgrade your experience to include VIP access to the exclusive Telegraph Room before, during and after the show!

Join us at The Den one hour before doors for Happy Hour!

Add this event to your calendar:

Fever Ray

It is a joy to meet you. I don’t know how to feel about that. But already my repetitions are beginning. Do I confuse itch and ache? Here’s this helpful quiz to discover which it is, dedicated to a global team of heartbroken self- diagnosers that stretches from the threadbare social democracies in the north to the liberated markets in the west. The object of the song is love and the subject of the song is loss, or object and subject are genetically alike. This is how it sounds, the excavated voice, the archaeological dig one thousand or eight years into the future, when the bodies preserved in this auditory mud have become exemplary of their time and can no longer hurt or help each other. Then I will know how to love you and be loved by you.

The song, the lover, is interested in objectifying itself, herself. The lover objectifies herself as music. The song is a prosthesis that extends like a limb into the gut and pulls out the half-digested heart, it’s kind of gothic and kind of a shame. I learn gratefully in music that the decision to fall is harder than the fall itself, the anticipation of falling; I’m embarrassed by gravity is what I mean by “I put on weight”. The parent and the lover momentarily blurring, then some kind of travel sickness, and later I am home without remembering what happened. It used to bother me that violence is as intimate as love, but I see that you have resolved that problem by dissolving the two each into the other. Whatever is important to hide must be important. Whatever is important to forget.

Listen! I’m looking for a girl who stands 10 feet tall and has teeth like razors; I’m looking for a girl who could play the bored receptionist in the lobby of the afterlife, crossing the river of forgetting every morning and evening and back into the world of the living, where I will wait with flowers and an assortment of adult toys. Could this be you? I’m looking for a girl to affirm my reality, or cancel it. Me: I am beautifully dressed. I am a reflective surface. I am the president. Welcome to my body, my building, the border. The escalators only go up. You get down again by throwing yourself off the roof. And the song’s refrain there to catch you if you’re lucky.

Listen! Sex is work, love is work, work is sex, work is love, the magical conversion of “is” given impossible power by its delivery in music. We have travelled together these minutes and years now and I am hopeful that we have finally solved this complicated problem of how to become… Even now at my age, preserved as an example in this perfect slab of ice, can you believe I am still waiting to become real? I had a plan for how sex or at least some kind of heartfelt physical intensity could save us but I threw it off the roof along with the body and it fell into the silence that limns the edge of the song.

Inside the architecture of repetition that constitutes both a song and a life, taken objectively and not subjectively, there are resonances, assurances, bonds and securities. Sex and music stand guard over a shared silence under the noise, either because there is nothing or too much to say. It is still possible to negotiate between pain and pleasure, on the vanishing edges of pain and of pleasure, as if cutting a deal, the best deal, a beautiful deal. There are no simple binaries, and I don’t only mean gender, that’s old news; I mean that I am radiating and obsessed with the daydream hurt that I imagine your voice alone could cause me, now that I live in its zone, and I am too far gone to distinguish between sharpness and softness.

Baby, I hope one of us will hypnotise the other. Then the one less hypnotised will kill the other. The after everyone is dead and we establish the scene, the next beginning, ending, beginning, ending. A pattern can only last its own forever and the song on repeat follows me around the city. The heart is the blood- iest organ and its rhythmic pacing and growling troubles the perception like movement at the edge of the vision mistaken for a creature. It is too early to fall in love, but all of history has happened and now there seems to be only the remainder to be arranged and rearranged. “We waited far too long.” It’s OK, everyone is here now.

Upcoming Events

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    The Independent
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  • Ripe Thu Apr 26
    The Independent
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  • LCD Soundsystem Fri Apr 27
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  • Django Django Fri Apr 27
    The Independent
    San Francisco, CA
  • LCD Soundsystem Sat Apr 28
    Greek Theatre
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  • Big Sean Sat Apr 28
    Bill Graham Civic Auditorium
    San Francisco, CA
  • Penguin Prison Sat Apr 28
    The Independent
    San Francisco, CA
  • LCD Soundsystem Sun Apr 29
    Greek Theatre
    Berkeley, CA
  • Alice Glass
    Zola Jesus Sun Apr 29
    The Independent
    San Francisco, CA
  • LeVar Burton Reads LIVE! Sun Apr 29
    Palace of Fine Arts
    San Francisco, CA
View All

About

SF Bay Area-based Another Planet Entertainment is the top independent concert promoter in the United States.

APE is the exclusive promoter for the Greek Theatre in Berkeley, the Fox Theater in Oakland, the historic Bill Graham Civic Auditorium in San Francisco, The Independent in San Francisco, Lake Tahoe Outdoor Arena at Harveys and operates a private events division, Another Planet Event Group.

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  • Greek Theatre at UC Berkeley
  • Bill Graham Civic Auditorium
  • Fox Theater
  • Lake Tahoe Outdoor Arena at Harveys
  • The Independent
  • Comedy

Festivals

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  • Treasure Island
  • Life is Beautiful

Comedy

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