Outside Lands Night Show
Outside Lands Night Show
Another Planet Entertainment and Bimbo’s 365 Club are committed to producing safe events. The City and County of San Francisco has mandated all patrons attending events at Bimbo’s 365 Club are required to show proof of full vaccination (must be 2 weeks past final dose). Masks are also required.
* Policy is subject to change.
This event is 18 and over.
$35.00 — General Admission
*plus applicable service fees
All doors & show times subject to change.
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DRAMA
DRAMA is the multicultural collaboration between producer Na’el Shehade’s chic Chicago house-infused production style, and vocalist Via Rosa whose soulful delivery is inspired by the improvisational nature of jazz and playful patterns of hip-hop and bossa nova. The duo play to the complementary dynamics of their unlikely pairing by blurring the lines between R&B and dance-pop, heartbreak and bliss.
Rosa grew up in a musical household; her parents played in a reggae band and toured as a family, homeschooling Rosa into her early teens and limiting her listening primarily to Sade, oldies, Brazilian and Afrobeat music. She kept poetry journals and by high school started writing songs and making beats. After moving to Chicago in 2010, Rosa connected with THEMPeople, a collective at the center of the city’s sprawling hip-hop scene.
Meanwhile, Shehade inherited a strong work ethic from his immigrant parents. Born in Chicago, he fell in love with DJ culture as a kid and took up music production and engineering; his interest eventually led to professional opportunities, including early studio work with Chance the Rapper, Kanye West, and music projects for MTV and Bravo. Other musical collaborations have included Flight Facilities, Poolside, Jamila Woods, Tensnake and with Gorgon City for their global dance hit, “You’ve Done Enough”. Since a chance meeting nearly 10 years ago led to the creation of DRAMA, the duo has bootstrapped a subtle rise on their own terms, self-releasing several EPs and mapping multiple tours and playing some of the biggest festivals including their most recent Coachella debut, Lollapalooza, Life Is Beautiful, Outside Lands and more with Midwestern grit.
In early jam sessions the chemistry was clear; Rosa’s soulful delivery interlocked with Shehade’s chic Chicago house-infused production style. A lovesick sound emerged over two EPs, Gallows in 2016 and Lies After Love in 2018, and continued on to their debut album Dance Without Me in January 2020. DRAMA released another EP, Don’t Wait Up in 2022 which includes 3 songs that continuously stream in their top 10 tracks, including a fan favorite, “3 AM”.
DRAMA continue to pave their own path in 2023 as the duo prepares to release more new music throughout the year.
Brijean
Since their debut as Brijean, the project of percussionist/singer-songwriter Brijean Murphy (the percussive heartbeat for live bands like Mitski, Poolside, and Toro y Moi) and multi-instrumentalist/producer Doug Stuart has moved with ingenuity, fusing psych-pop abstraction with dancefloor sensibilities. Through the body and mind, rhythm and lyricism, they make sense of the worlds around and within; 2021’s Feelings celebrated self-reflection; 2022’s Angelo processed loss, coinciding with the duo’s first headlining tour, which doubled down on the material’s desire to move. Now, across the playful expanse of Macro, arriving in 2024 on Ghostly International, Brijean engages different sides of themselves, the paradox of being alive.
Murphy, an accomplished DJ, session and live player in Oakland’s diverse music scene has emerged as one of indie’s most in-demand percussionists. In 2018, she began recording songs with multi-instrumentalist and producer Stuart, who shares a background in jazz and pop in bands such as Bells Atlas, Meernaa, and Luke Temple. Eventually dubbed Brijean, the project grew out of marathon sessions at their intimate home-studio. Their first effort, Walkie Talkie (released by Native Cat Recordings in 2019), found Murphy taking the mic for the first time to deliver dreamy dance tracks that felt home-cooked and effortlessly chic. Her layered percussion and hypnotic, expressive vocals coupled with Stuart’s production and harmonic palette evoked shades of disco, ‘90s house, and a sly pop sensibility. ”A smooth, sumptuous, and soulful record,” said Bandcamp, who helped propel the group’s early following.
Murphy’s musical talents are family heirlooms: her father, percussionist and engineer Patrick Murphy, taught Brijean her first patterns on a pair of congas that she inherited from the late Trinidadian steel drum legend Vince Charles (of Neil Diamond). Growing up in LA’s Glassell Park, Murphy was raised by a cadre of honorary aunts and uncles – a deep bench of jazz, Latin and soul musicians in their own rites. This meant she grew up regaled by musical lore – larger-than-life tales of jazz luminaries, psychedelic trips and obscure cultural enclaves – sampling some of those family stories and weaving them into her work.
Growing up outside of Chicago, Stuart found his way into jazz clubs and festivals as a teenager, frequently going to hear Jeff Parker, Fred Anderson, and other members of the AACM. While attending the University of Michigan, he studied under Detroit jazz royalty, Robert Hurst and Geri Allen. After college, Stuart became intrigued by the music of J Dilla and Moodymann, and began learning production and exploring the connections between jazz, house, and hip-hop.