This event is 21 and over.
$22.00 – General Admission
*plus applicable service fees
The general on sale begins Friday, April 6th at noon!
Tickets available at The Independent box office (628 Divisadero, SF) with no service charge
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The Swedish born musician began releasing albums on his own Superpuma Records in 2007, running the imprint with his producer, Pelle Nyhage, and his wife, Petra Wester-Norgren. Daniel’s records are supremely unique takes on the American tradition, evoking a rust-worn blues feel that pervades his sound. But Norgren’s interests lie in more than music. His enterprise is a fully realized universe: Norgren makes his own videos, filming the world around him to match his aesthetic. In this regard, he reminds one of Sergio Leone, not in his filmic style, but in the way he spins American music unlike anyone born in the USA ever could. Our blind spots are too large, our notions too preconceived. Daniel Norgren illuminates the cracks and details of the Americana lineage we so often overlook.
Daniel Norgren is an otherworldly talent with an old soul. He made his name with a strong, slow build, quietly introducing his music to anyone willing to listen.
“We live in a perpetually burning building, and what we must save from it, all the time, is love.”
Transforming pain and injustice into love and compassion is a rendering that has been universal to poets and prophets for centuries. In present times, choosing to amplify community and positivity through art can seem like a radical act. With the arrival of People Are My Drug, Phil Cook is taking the spark from lights left on by musical heroes and offering a torch for listeners as they navigate their own dark corners. Where 2015’s Southland Mission illuminated for listeners what Phil Cook hears in his head, this latest record lays bare the way that music makes him feel. Side A alone, culminating with the shiver-inducing “Another Mother’s Son,” has the capacity to light a fire in even the coldest of hearts.
Having only recently stepped to the center of the stage as a solo artist, Cook now takes a moment, citing the power of community as his thesis statement. Each track asserts that he alone is no greater than the sum of the people who have brought him to this moment. Instead of standing on the shoulders of his heroes, Cook is humbly kneeling at their feet. Since Southland Mission, Cook has performed with childhood heroes including Mavis Staples, Bruce Hornsby, John Prine, Amy Ray and The Blind Boys of Alabama. Cook notes, “I see life on a timeline that includes multi-generations. As someone who has sought mentors my whole life, I am honoring the people who shaped who I am, not only musically, but spiritually, emotionally and personally.” He brings that forward in every note on People Are My Drug.
Cook has firmly planted his roots in his adopted hometown of Durham, NC for the last decade, while simultaneously maintaining a musical presence in the upper-Midwest where he was raised. Cook and his band recorded and mixed in both Wisconsin and North Carolina, finishing the record in ten days. The result is a spiritual tour de force, delivered from the gut with open arms. Enlisting Brad Cook as producer was a given, as the two Cooks have spent their entire lives working alongside one another. They’ve long developed an honest working relationship based on the love of family and community, as well as staying true to oneself artistically.
His band, The Guitarheels, comprised of drummer JT Bates, bassist Michael Libramento and pianist James Wallace, forged a common language touring the world with Cook. Fueled by the power of that chemistry, Cook crafted each new song with reverence for each players’ artistic brilliance. He imagined vocalist Tamisha Waden (Foreign Exchange) soaring above “Steampowered Blues” and turned to collaborator Amelia Meath (Sylvan Esso) to co-write “Miles Away”, a plainly honest song about the complexity of emotional proximity. He heard Brevan Hampden’s distinct sanctified tambourine in his head the whole time he was writing for the sessions. The composition of the record plays as a love letter to Phil’s greatest inspiration of all: People.
People Are My Drug is a radical album, in every sense of the word. In 2018 choosing community and positivity and music is radical. Cook’s smile is still as infectious and ernest as it’s ever been. However, he presently appears charged with a newly-minted seriousness that is revealed to listeners in solidarity, that he too is fighting like hell to keep love alive.