Another Planet Entertainment

Raised in St. Louis, Missouri and later relocating to Chicago, Illinois, indie folk singer/songwriter Angel Olsen began performing in St. Louis coffee shops in her teenage years, eventually branching out and tapping into a network of like-minded artists. Olsen worked with California musician Emmett Kelly as part of his collective the Cairo Gang, singing harmonies on Bonnie “Prince” Billy’s 2010 album The Wonder Show of the World, as well as its 2011 follow-up, Wolfroy Goes to Town. In 2010, Olsen released Strange Cacti, a cassette of original Americana songs that was later reissued as a 12″, both with Bathetic Records. Half Way Home, a spare album with understated arrangements and a homespun approach somewhere between ’50s country crooners and her indie contemporaries, was issued with the same label in 2012.

In early 2013, Olsen added drummer Josh Jaeger and bassist Stewart Bronaugh to flesh out her stripped-back sound, which added a brooding, garage rock appeal to her intimate music. Soon after forming the trio, Olsen returned to the studio with producer John Congleton to track sessions for her third album, Burn Your Fire for No Witness, which saw release in early 2014 via Jagjaguwar. The record was critically well-received and marked Olsen’s debut on the Billboard 200.

Known for her “boldly and admirably uncompromising performances” (​Rolling Stone)​, ​Angel Olsen ​is pleased to announce a​ North American fall headline tour.​ Olsen will present a brand new live show across the country, including two nights at ​New York’s Brooklyn Steel​, Los Angeles’ Palace Theatre​, and ​Denver’s Gothic Theatre​. Special guest ​Vagabon ​will support. Additionally, Olsen will be playing her biggest headline show to date in ​London at Eventim Apollo​ in February 2020. This is Olsen’s first full band tour since fall 2017.

“Break the rules you think you are bound by.”

That’s the recurring sentiment Lætitia Tamko carried with her through the writing and recording of her second album under the Vagabon moniker. Her first, 2017’s Infinite Worlds, was an indie breakthrough that put her on the map, prompting Tamko to tour around the world and quit her job in electrical/computer engineering to pursue a career in music full-time. Tamko’s self-titled Nonesuch Records debut finds her in a state of creative expansion, leaning fully into some of the experimental instincts she flirted with on the previous album. This time around, she’s throwing genre to the wind. Vagabon is a vibrant culmination of influences, emotional landscapes, and moods; a colorful and masterful statement by an artist and producer stepping into her own.

Vagabon was written and produced entirely by Tamko. Guitar-driven melodies are largely absent, and in their place we are treated to a collection of songs buoyed by hybridized analog and digital arrangements. While Infinite Worlds situated the last Vagabon project in the realm of “indie rock,” Vagabon is not easily defined. Grounded by Tamko’s expressive voice and knack for unique melodies, the album flits between genres, never lingering too long on one particular sensibility.